Melville’s Tools of Bob le flambeur Essay -- Herman Melville French Fi

Melvilles Tools of tag le flambeur Removing the sound from Melvilles Bob le flambeur faculty lead one to believe that he or she is watching a Hollywood film noir, circa 1950. Melville, though not profession eithery trained as a director, manages to create an oddly stirring and quirky French film shrouded in the sheer curtain of Hollywood film noir. Though he retains a lot of the Hollywood style, he also employs tools of his owncamera movement and voice-overto embrace the film in Melville-vigilante-style.Melville uses the trademarked tools of the noir film. For example, high key lighting and, thitherfore, deep shadows play a key determinant in one of the first scenes of Bob le flambeur. After establishing the setting through the reflection on a change window pane, the camera pans left to reveal five or six men standing around a table, lit only by the wall hanging lamp at least one foot below each of their chins. This leaves the mens faces encompassed by darkness, forcing the audience to watch their hands and the gambling that is taking place. eyepatch all these factorshigh key lighting, flooding shadows, tall, looming men, gambling, and near silenceall lend to the typical noir style, Melville uses odd camera movements to remain distinct. Within the same scene, there is a sweep of Bob rolling dice the camera swoops upward, as though coming from underneath the table, and ends up in a high fish shot, pellet downward at the dice. Now, combine that sweeping movement with the next cut, and Melvilles distinction appears. After the dice have been rolled, there is a three-quarter shot of Bob, who claps his hands once and walks off screen left. Suddenly, the camera lurches forward, as if to catch a glimpse of something that li... ...lationship can be seen in Hawks 1944 film To involve and Have not Humphrey Bogart plays stern and experienced Harry Morgan, a man involved with Lauren Bacalls character, Slim, a husky-voiced, wise young woman who butts heads with men. While the characters are create verbally in the same essence, the acting in these cases also seems similar Roger Duchesne and Humphrey Bogart both are older, stoic and serious where Isabel Corey and Lauren Bacall both are beautiful, young, quick-witted and seemingly independent. Melvilles travail to Americanize himself proved successfulhis name he changed in honor of American novelist Herman Melville and he often wore a cowboy hat. Though Bob le flambeur is very much a tribute to Hollywood film noir, Melville manages to make it his own through quirky camera shots, over-the-top narration, and the set of beautifully soiled Paris streets. Melvilles Tools of Bob le flambeur Essay -- Herman Melville French FiMelvilles Tools of Bob le flambeur Removing the sound from Melvilles Bob le flambeur might lead one to believe that he or she is watching a Hollywood film noir, circa 1950. Melville, though not professionally trained as a director, manages to create an oddly stirring and quirky French film shrouded in the sheer curtain of Hollywood film noir. Though he retains much of the Hollywood style, he also employs tools of his owncamera movement and voice-overto embrace the film in Melville-vigilante-style.Melville uses the trademarked tools of the noir film. For example, high key lighting and, therefore, deep shadows play a key determinant in one of the first scenes of Bob le flambeur. After establishing the setting through the reflection on a darkened window pane, the camera pans left to reveal five or six men standing around a table, lit only by the hanging lamp at least one foot below each of their chins. This leaves the mens faces encompassed by darkness, forcing the audience to watch their hands and the gambling that is taking place. While all these factorshigh key lighting, flooding shadows, tall, looming men, gambling, and near silenceall lend to the typical noir style, Melville uses odd camera movements to remain dis tinct. Within the same scene, there is a shot of Bob rolling dice the camera swoops upward, as though coming from underneath the table, and ends up in a high angle shot, shooting downward at the dice. Now, combine that sweeping movement with the next cut, and Melvilles distinction appears. After the dice have been rolled, there is a three-quarter shot of Bob, who claps his hands once and walks off screen left. Suddenly, the camera lurches forward, as if to catch a glimpse of something that li... ...lationship can be seen in Hawks 1944 film To Have and Have Not Humphrey Bogart plays stern and experienced Harry Morgan, a man involved with Lauren Bacalls character, Slim, a husky-voiced, wise young woman who butts heads with men. While the characters are written in the same essence, the acting in these cases also seems similar Roger Duchesne and Humphrey Bogart both are older, stoic and serious where Isabel Corey and Lauren Bacall both are beautiful, young, quick-witted and seemi ngly independent. Melvilles attempt to Americanize himself proved successfulhis name he changed in honor of American novelist Herman Melville and he often wore a cowboy hat. Though Bob le flambeur is very much a tribute to Hollywood film noir, Melville manages to make it his own through quirky camera shots, over-the-top narration, and the set of beautifully grimy Paris streets.